You’ve got to love small presses!

I have just turned in my review for Paullina Simon’s Bellagrand. Ohhhh….it’s a heart breaker. Similar to The Bronze Horseman. Hold on to your hearts if you decide to read it, and I will post the review here after the May issue of The Historical Novels Review is published. I also reviewed The Daring Ladies of Lowell by Kate Alcott….not impressed.

Sarah Johnson at Reading the Past has been posting galleries of upcoming small press titles, and her latest post of international titles is fascinating. THESE are the kinds of books that readers like me are hankering for-exotic locations (to us Americans, of course) and different themes than the usual fare we see in the States. One book in particular makes me chuckle, as I’m so unused to seeing American settings from an international point of view: The Hedge by Ann McPherson, set in 17th century Hartford, Connecticut. To Canadians, Connecticut must sound exotic, but it’s hard for me to imagine, being a native New Englander, someone conceiving of Connecticut the way I view Bombay… But everyone’s home is exotic to someone somewhere else.

The settings are refreshingly diverse: Western Australia, India, Singapore, North America, Spain, and the Middle East, for example. This is the appeal of Indie historical fiction-both self-published and mainstream small press-a refreshing gust of wind from a different direction. A chance to learn something fresh, educate yourself outside of your comfort zone, and grow into a worldly, sophisticated connoisseur of words. At least that’s the lofty goal. My goal right now is a soft couch, a warm fuzzy blanket, and a cup of tea with my multicultural entertainment…

Enjoy perusing Sarah’s list, and I will be writing up a review for Liza Perat’s haunting second novel, Wolfsangel, as soon as I can finish it. So far, three books for the 2014 Historical Fiction Challenge- that puts me on the road toward being a Victorian-level reader….oh the things we book lovers do for kicks!

Readingthepast features an essay by Richard Sharp

Readingthepast features an essay by Richard Sharp

Richard Sharp, author of The Duke Don’t Dance and Crystal Ships, writes about why the 60s should be considered an intriguing candidate for historical fiction exploration, outside the well-known social upheaval and Vietnam War….

Historical Fiction Challenge 2014

Image A new year, a new challenge. Since I read exclusively historical fiction anyway, I’m going to join Historical Tapestry’s 2014 Historical Fiction Reading Challenge. Motivation is always best from the outside, for me at least!  I wonder what I’ll be able to accomplish this year. I’ve already read one, so I’m halfway to a 20th century reader, YES! I challenge myself to the medieval level….let’s see if I can mange it! Anyone want to join in?

20th century reader – 2 books
Victorian reader – 5 books
Renaissance Reader – 10 books
Medieval – 15 books
Ancient History – 25 books


So far this year, I’ve read Escape from Paris by Caroline Hart, and The Daring Ladies of Lowell by Kate Alcott. Currently reading Wolfsangel by Liza Perat, and my next review book is the upcoming prequel (to The Bronze Horseman) by Paulina Simons, Bellagrand. Not a bad start to the year.

Latest HNS Review: Escape from Paris by Carolyn Hart, and current reads…

I am currently reading Liza Perat’s Wolfsangel, the second in her historical L’Auberge des Anges series. I have just begun, so I cannot comment except to say that Liza is back in formidable style- her writing captivates and her story draws you in…

Escape from Paris


Escape from Paris is romantic suspense set in Occupied Paris in 1940, right before Germany declares war on America and the French resistance begins to coalesce. Two American sisters, Eleanor, who is married to a Frenchman, and Linda, risk their lives to save downed British pilots from the Nazis. But with watchful eyes everywhere and the Gestapo on their trail, each airman they save puts them in even greater peril…

This is a publication of the original uncut manuscript from 1982 (the first published version had cut 40,000 words), with a new introduction by this prolific author. Escape from Paris manages to pull in aspects of the German occupation from many angles: the doomed Jews of Paris, the trapped airmen who parachute into France, the fate of American expatriates under the occupation, and the cold-hearted calculatedness of the Gestapo.

The beginning of the novel feels confusing with switching points of view and different storylines, but when the plot finally blends into one cohesive storyline – that of the British pilot Jonathan and the two sisters – the plot rushes ahead, is easy to follow, and left this reader breathless. Don’t expect a neatly wrapped up conclusion from this book, but go along for the ride.

Never make a promise

I give up. Life has become so hectic as a parent and full-time employee, as well as doing my volunteer job for the HNS, that I can’t keep up with this blog. I don’t expect to have followers when I am unable to post regularly. Rather than trying to be a professional blogger, I am just blogging on a personal basis. Blah, blah, blah.

My book collection has gotten larger recently, but I haven’t been reading very fast. I did review Godiva by Nicole Galland for the August 2013 issue of the Historical Novels Review and here it is:

Set in Anglo-Saxon England, this is a reimagining of the legend of Lady Godiva, Countess of Mercia, an 11th-century noblewoman well-known for riding au naturel through Coventry to relieve her people of unfair and oppressive taxation. Godiva’s unlikely friendship with Abbess Edgiva of Leominster, who has her own troubles, and her playful relationship with her husband, Leofric, also play major roles.

The novel is well-written with colorful description and detail; however, this reader chafed at elements of predictable and clichéd plotlines, such as the abbess’s pregnancy resulting from a one-night stand, and Earl Sweyn’s attempt to “abduct” her from the abbey. The notion of a countess playing matchmaker for an abbess, in the first place, pushes the limits of believability.

The most troublesome aspect, however, is the difficulty sympathizing with Godiva’s plight, as the countess is not portrayed as a sympathetic character—she is a woman who outspokenly prides herself on her ability to manipulate men for personal gain and expresses no remorse about doing so. Therefore, when the king offers her a choice of punishments, either to literally bare herself to the people of her town, or surrender the lucrative holding of Coventry, this reader could not summon up sympathy for her dilemma. Godiva engages in a game against a crafty opponent, and King Edward gets the best of her. The plot’s power to engage hinges on the reader’s sympathy for Godiva, which is simply absent in this case.

As much as I want to be able to recommend this book, unfortunately I found Godiva uninspiring.

Obviously, I wasn’t very taken by the book, and I hope my review explains why well enough.

After returning from the HNS conference, I dove right into one of the books that was given away in our gift bags, Letters from Skye by Jessica Brockmole. I was in the mood for a good old-fashioned WW2 tear-jerker of a romance, and that’s exactly what I got. I loved it. A multigeneraltional tale of love and loss (to put it simply), it was smoothy written, fast-flowing, and engaging.

Right now I am working on another two review books, Jonathan Grimwood’s The Last Banquet (the Europa publicist raved about this one) and The Daring Ladies of Lowell by Kate Alcott. The latter novel struck my interest because when I lived in Boston, I was exposed to the fascinating history of the Lowell textile mills, and the class struggles that ensued in the factory towns. The smell of textiles is still pungent when you tour one of these mills. Many have been turned into condos and there is still that eerie smell when you walk inside- talk about living history! THIS is the reason I love historical fiction.


The mammoth list of off-the-beaten-path book recommendations, brought to you by our HNS Conference panel

shopJulie K. Rose, Heather Domin, Audra Friend, and I presented a lively panel at the HNS conference in St. Petersburg. Members of the audience shared many suggestions for off-the-beaten-path books, and although we started out with a six-page handout of  these novels, I’m sure the length has increased considerably…so Heather Domin has graciously compiled a comprehensive list of our recommendations plus those from panel attendees. I can tell you that my heaving TBR pile is about ready to topple with additions from this wonderful list! Happy TBR pile-building!!!  (the list can be found at


This list began as a panel at this year’s HNS Conference called ‘Historical Fiction Off the Beaten Path’, which I co-presented with Andrea Connell of The Queen’s Quill Review [AC], Audra Friend of Unabridged Chick [AF], and author Julie K. Rose [JR]. The purpose of our panel was to show readers the variety of historical fiction available to them, and to show writers that there is an audience for every story. The four of us came up with a short list of books published in the last five years that fall outside current trends in historical fiction:

• lesser-known locations and/or periods
• unusual protagonists or points of view
• lack of famous historical figures
• POC  (persons of color) and/or LGBTQ characters
• characters with physical differences
• mixing of genres or sub-genres
• unusual choices in style or structure

To that list we’ve added all the books suggested by the panel audience, with the intention of starting a miniature database on our websites. This list is not exhaustive and will continue to grow, so check back to see what’s been added, and please do send us your own suggestions!

Ancient World

Alcestis by Katharine Beutner (Greece)
HD, JR: genre mixing (mythology), unusual setting, LGBTQ
Part Greek mythology, part women’s fiction, part metaphysical rumination, part literary opus, with a bonus lesbian liaison — this book defies categorization, and the result is a truly unconventional historical novel. -HD

Augustus by John Edward Williams (Rome)
[panel] unusual style (epistolary)

Daughter of Kura by Debra Austin (Paleolithic Africa)
HD: unusual setting
Set on the plains of Paleolithic Africa, this story of a young woman’s journey from matriarch to outcast paints a fascinating picture of our early human ancestors without the use of fantastical elements. – HD

Lavinia by Ursula K. LeGuin (Etruria)
JR: unusual setting

The Sweet Girl by Annabel Lyon (Greece)
AF: unusual setting

The Wedding Shroud by Elizabeth Storrs (Etruria)
HD: unusual setting

Thunderbolt: Torn Enemy of Rome by Roger Kean (Carthage)
[panel] LGBTQ protagonist, genre mixing (action/adventure)

Written in Ashes by K. Hollan vanZandt (Egypt)
AF: unusual setting

1st Century

Lily of the Nile by Stephanie Dray (Rome, Egypt)
AF, JR: genre mixing (magical realism), unusual setting

The Soldier of Raetia by Heather Domin (Rome, Germany)
JR: genre mixing (adventure/romance), unusual setting, LGBTQ
One of my favorite books. Beautifully written and engrossing. You feel transported in time and place. -JR

2nd Century

Eromenos by Melanie McDonald (Rome)
AF, HD: unusual setting, LGBTQ

3rd Century

Agent of Rome series (The Siege and The Imperial Banner) by Nick Brown (Syria)
HD: unusual setting, unusual protagonist

6th Century

The Dragon’s Harp by Rachael Pruitt (Wales)
JR: genre mixing (fantasy), unusual setting

7th Century

The Woman at the Well by Ann Chamberlin (Syria)
JR: unusual setting

8th Century

Seidman by Erich James (Iceland)
HD: YA, genre mixing (paranormal/romance), unusual setting, LGBTQ

The Cross and the Dragon by Kim Rendfeld (Francia)
AC, HD: unusual setting

Under Heaven by Guy Gavriel Kay (China)
JR: genre mixing (alternate history), unusual setting

9th Century

The Bone Thief by V.M. Whitworth (Wessex)
HD: unusual setting

11th Century

Illuminations by Mary Sharratt (Germany)
AF: unusual setting

Shadow on the Crown by Patricia Bracewell (England)
JR: unusual setting

12th Century

Mistress of the Art of Death by Ariana Franklin (England)
[panel] unusual protagonist

13th Century

A Thing Doneby Tinney Sue Heath (Florence)
JR: unusual setting

Cuzcatlán Where the Southern Sea Beats by Manlio Argueta (Pre-Columbian South America)
[panel] unusual setting

Something Red by Douglas Nicholas (England)
HD: genre mixing (horror)

Sultana by Lisa Yarde (Spain)
HD, JR: POC main characters, unusual setting

15th Century

A Prince to be Feared by Mary Lancaster (Romania)
AF: unusual setting

I, Iagoby Nicole Galland (Venice)
AF: unusual setting

16th Century

Equal of the Sun by Anita Amirrezvani (Persia)
AF: unusual setting

In the Garden of Iden by Kage Baker (England)
AF: genre mixing (light sci-fi)

The Queen’s Rivals by Brandy Purdy (England)
[panel] unusual protagonist

The Raven’s Heart by Jesse Blackadder (England)

Tom Fleck by Harry Nicholson (England)
HD: unusual protagonist, no famous figures
A delightful, folksy adventure set in rural England and Scotland, this novel uses a likable everyman to tell the story of ordinary people in an extraordinary time, including a rare look at Jewish life in Tudor England. -HD

17th Century

The Book of Seven Hands by Barth Anderson (Spain)
JR: genre mixing (paranormal), no famous figures, LGBTQ

The Midwife’s Tale by Sam Thomas (England)
AF: unusual protagonist

The Orphanmaster by Jean Zimmerman (Amsterdam)
AF: unusual setting

The Tito Amato series by Beverle Graves Myers (Venice)
[panel] unusual setting, unusual protagonist

The Tsar’s Dwarf by Peter H. Fogtal (Russia)
[panel] unusual protagonist

White Heart by Julie Caton (New France)
[panel] unusual protagonist, lack of historical figures

18th Century

Perfume: The Story of a Murderer by Patrick Suskind (France)
[panel] unusual protagonist, genre-mixing (horror)

Sea Witch by Helen Hollick (“Pirate Round” South Africa to the Caribbean)
AC: unusual setting, genre mixing (fantasy)
A pirate adventure with wide appeal starring a multidimensional and charming rogue. -AC

Spirit of Lost Angels by Liza Perat (France)
AC: unusual setting, LGBTQ
A bittersweet, multilayered tale that will touch your heart, told in a humble yet strong and powerful voice during a time of revolution and female suppression. –AC

The Blighted Troth by Mirella Sichirollo Patzer (New France)
AF: unusual setting, genre mixing (Gothic)

The Mirrored World by Debra Dean (Russia)
AF: unusual setting

The Tale of Raw Head and Bloody Bones by Jack Wolf (England)
AF: unusual setting, genre mixing (horror)

19th Century

Bone River by Megan Chance (America)
[panel] unusual premise, genre mixing

Burning Silk by Destiny Kinal (France and America)
AC: unusal setting, unusual protagonist
A sensual and sensitive story written in lush prose. –AC

Butterfly’s Child by Angela Davis-Gardner (Japan, Illinois)
AF: unusual setting

The Crimson Petal and the White by Michael Faber (England)
[panel] genre mixing (literary, romance)

Daughter of the Sky by Michelle Diener (South Africa)
AF: unusual setting

Gillespie and I by Jane Harris (Scotland)
AF: unusual protagonist

Gods of Gotham by Lyndsay Faye (New York City)
AF: unusual setting

Island of Wings by Karin Altenberg (St. Kilda islands)
AF: unusual setting

Jonathan Strange & Mr. Norrell by Susanna clarke (England)
[panel] genre mixing (magical realism)

Miss Fuller by April Bernard (America)
AF: unusual protagonists

Parlor Games by Maryka Biaggio (America)
AF: unusual protagonist

Slant of Light by Steve Weigenstein (Missouri)
AF: unusual setting

Syncopation: A Memoir of Adele Hugo by Elizabeth Caulfield Felt (France)

The Family Mansion by Anthony C. Winkler (Jamaica)
AF: unusual setting

The Golem and the Jinni by Helene Wecker (New York City)
AF: genre mixing (mythology), POC main characters

The Luminist by David Rocklin (Ceylon)
AF: unusual setting

The Master by Colm Tóibín (England)
[panel] unusual style

The 19th Wife by David Ebershoff (America)
[panel] unusual protagonist, time-slip, genre mixing (mystery, literary)

The Personal History of Rachel duPree by Ann Weisgarber (South Dakota)
AF: unusual setting, POC main characters

The Oracle of Stamboul by Michael David Lukas (Turkey/Ottoman Empire)
AF: unusual setting

The Rose of Sebastopol by Katharine McMahon (England, Crimea)
AF: unusual setting

The Thing About Thugs by Tabish Khair (England)
AF: POC main character

The Transformation of Bartholomew Fortuno by Ellen Bryson (America)
[panel] unusual characters and premise

The Virgin Cure by Ami McKay (NYC)
AF: unusual protagonist

Whip Smart: Lola Montez Conquers the Spaniards by Kit Brennan (England, Spain, France)
AF: unusual setting

20th Century

A Different Sky by Meira Chand (Singapore)
AF: unusual setting, POC main characters

Cascade by Maryanne O’Hara (New England)
AF, JR: unusual setting, no famous figures
Complicated, frustrating, very real characters and a lovely evocation of 1930s America, beautifully written. -JR

Dina’s Lost Tribe by Brigitte Goldstein (France)
[panel] time slip (1300s), unusual premise

Fires of London by Janice Law (England)

Oleanna by Julie K. Rose (Norway)
AC, AF, HD: genre mixing (literary), unusual setting, no famous figures
A gently told tale with quiet depth, atmospherically stark yet richly detailed. -AC

Our Man in the Dark by Rashad Harrison (Southern U.S.)
AF: POC main characters

Seal Woman by Solveig Eggerz (Germany, Iceland)
JR: genre mixing (literary), unusual setting, no famous figures
So beautifully written and so present and real — I felt like I was reading a biography and not a work of fiction. -JR

Skeleton Women by Mingmei Yip (China)
AF: unusual setting, POC main characters

Small Wars by Sadie Jones (Cypress)
AF: unusual setting

The Concubine’s Gift by K Ford K (China, Nevada)
AC: unusual setting, genre mixing (fantasy)
A tastefully handled and respectful exploration of sexuality and a lightening-fast fun read. -AC

The Detroit Electric Scheme by D.E. Johnson (Detroit)
AF: unusual setting

The Edge of Ruin by Irene Fleming (New York City)
HD: unusual setting
This short, fast-paced mystery is set in the early days of the American film industry, with an ensemble of quirky characters, an unusual setting and premise, and an interesting peek into a little-known world. –HD

The Farming of Bones by Edwidge Danticat (Haiti)
AF: unusual setting, POC main characters

The Orchardist by Amanda Coplin (Pacific Northwest)
AF: unusual setting, no famous figures

Coming in 2013

Heirs of Fortune by Heather Domin (Germania) [JR]
Hetaera by J.A. Coffey (Greece, Egypt) [AF]
Medea by Kerry Greenwood (Greece) [AF]
Shaman by Kim Stanley Robinson (Ice Age Europe) [HD]
The Golden Dice by Elizabeth Storrs (Etruria) [HD]

3rd Century
The Far Shore by Nick Brown (Syria)[HD]

6th Century
The Secret by Stephanie Thornton (Constantinople) [AF]

7th Century
Hild by Nicola Griffith (Britain) [AC, AF, JR]
The Sword Dancer by Jeannie Lin (China) [HD]

9th Century
The Traitor’s Pit by V.M. Whitworth (Britain) [HD]

11th Century
Godiva by Nicole Galland (Britain) [AC, AF, JR]

13th Century
Sultana: Two Sisters by Lisa Yarde (Spain) [HD, JR]

18th Century
Benjamin Franklin’s Bastard by Sally Cabot (America) [AF]
Revolutionary by Alex Myers (America) [AF]
The Purchase by Linda Spalding (America) [AF]

19th Century
Burial Rites by Hannah Kent (Iceland) [AC, AF, JR]
Cinnamon and Gunpowder by Eli Brown (nautical) [AF]
Linen Shroud by Destiny Kinal (America) [AC]
Palmerino by Melissa Pirtchard (Italy) [AC, JR]
The Ghost Bride by Yangsze Choo (Malaya) [JR]
The Last Runaway by Tracy Chevalier (American Midwest) [AF]
The Mask Carver’s Son by Alyson Richman (Japan, France) [AF]
The Mountain of Light by Indu Sundaresan (India) [AC, AF]
The Outcasts by Kathleen Kent (Texas) [AF]
The Movement of Stars by Amy Brill (New England) [AF]
The Rebellion of Miss Lucy Ann Lobdell by William Klaber (New York) [AF]
The Specimen by Martha Lea (England, Brazil) [AF]

20th Century
Above All Things by Tanis Rideout (UK, Himalayas) [AF]
A True Novel by Minae Mizumura (Japan, America) [AC]
The Book of Fate by Parinoush Saniee  (Iran) [AC]
The Lion Seeker by Kenneth Bonert (South Africa) [AC]

Additional Resources

Europa Editions
Historical Novel Society Review Index
Historical Novel Society Indie Reviews
Unusual Historicals
Royalty Free Fiction
Historical Fiction Virtual Book Tours

HNS Conference “Off-the-Beaten-Path Panel”

BEA has now passed- 2013 will be a stellar year for historical fiction; I mailed two full boxes of books home, and my shoulders were killing me from carrying all that around the exhibit hall. The best thing I did, though, was attend the Speed Dating session for Book Groups, where one could hear about the upcoming releases targeted to this market face-to-face with publicists from more than 20 publishing houses. Here is the link to the slide show that accompanied the session; I hope you will find it helpful, too:

Now, on to the swiftly upcoming HNS Conference in Florida. The dates are June 21-23. I will be on a panel on Saturday with the lovely Julie Rose (, Audra Friend (, and Heather Domin ( discussing why readers should consider off-the-beaten path hf, along with giving recommendations of our favorite reads and upcoming titles that might be of interest.

What do we mean by “off-the-beaten-path”?

“There’s nothing wrong with popularity! But with so many books out there and only so much time and space for promotion, the most popular themes naturally get the most attention, while others remain out of the spotlight. In this panel we will explore current themes and trends in historical fiction and take a look at some books that veer off these paths. Our goal is to show readers the wide variety of historical fiction available to them, and to show writers that there is an audience for every story. If you’ve ever asked, ‘Doesn’t anyone write (…)?’ this panel is for you.”

“In this panel, ‘mainstream’ refers to the most well-known settings, eras, characters, and/or styles in current historical fiction.”
“What our definition of mainstream is NOT:
 – A method of publishing
 – A list of targeted topics
 – Overdone (aka ‘popular = bad’)”


If you are attending the conference and are interested to learn what type of books are out there for those with a wandering imaginations, please join us! I look forward to meeting you.

Another one of my authors won an IPPY Gold award!

I have recently heard that Richard Sharpe’s e-book version of The Duke Don’t Dance won the Independent Publishers (IPPY) Gold Medal for best adult fiction e-book. Congratulations, Richard! See my review  for the reasons why I highly recommend this novel.  I’m gratified to know that the IPPY committee and I are in agreement about the quality of this book!

time-is-the-oven-smI will be posting a review in the next few weeks of Mr. Sharpe’s Time is the Oven, following the odyssey of a young man in the wake of the Civil War, inspired by Shakespeare’s The Winter Tale. This is to be my ipad train-ride read to BEA : )  I will also be reviewing Godiva (a book about chocolate??? Yippee…oh, not that Godiva…) by Nicole Galland (William Morrow Paperbacks), set in Angelo-Saxon England, for the August issue of the Historical Novels Review, which I shall post here as well.

BEA is coming up fast. If anyone is attending and would like to meet in person, just send me an e-mail. I’d love to meet other readers, writers, and bloggers!



I have been reconsidering my ability to continue reviewing on a regular basis. I already review fewer than one book a month, and that is not fair to the authors to whom I have made commitments. My collaboration with Steve, sadly, did not work out either.

My passion for reading has diminished lately, mostly because I am burnt out.  I have been writing reviews generally for over ten years, and the non-fiction editing I do full-time has increased in amount and intensity.  I promised myself long ago that when I lose my enthusiasm and energy for reviewing, when it becomes a chore rather than  a pleasure, I would stop, at least until the passion returns. It is unfair to authors to offer a review that has been forced; I want to do it well or not do it at all. It has been too tempting to accept offers for SP novels that appeal to my reading tastes, however, I simply cannot do it any longer. I cannot even promise to complete the books I have already received, and I hope you can accept my deepest apologies.  For the many patient and kind authors who have sent me their novels, I am happy to return them at my own expense.

I will still be writing here occasionally–thoughts about intriguing books I may read on my own at times–and all past reviews and posts will remain.

I am sorry I must make this announcement. If doing this as a paid profession were an option, I would immediately quit my day job (the main source of my burnout) : ) For now, I need to shift my focus to other matters so that I can recover.

Thank you to bloggers who have promoted The Queen’s Quill, authors and publicists who have requested reviews, and subscribers and readers.

My best wishes to you all.

Andrea, The Queen’s Quill


Europa Editions

ImageI don’t only review Indie books here- I also expand my horizons to the small and independent presses in the mainstream. My particular favorite right now is Europa Editions. This amazing small publisher brings “quality English editions of international literature” to the American reader. The majority of these books are translated from their native languages, but don’t shy away from that. The translations are done beautifully. The books’ presentation is unique, attractive, and appealing with bold colors and deceptively simple and elegant designs (Europa claims they incorporate both European and American jacket designs). I’ve only seen trade paperbacks with inner folded flaps (called “French flaps” I believe) from Europa, but they are so pleasing to hold in one’s hands, I wouldn’t want them any other way. The novel I’m currently reading, published by Europa, is You Are Not Like Other Mothers by Angelika Schrobsdorff (translated from German), a massive, captivating story initially set in Berlin, engulfing the periods of the first and second world wars.  I’m only 200 pages (out of over 500) into  this memoir of an “unconventional” Jewish woman and her bohemian lifestyle, but I am astonished by the sophisticated prose, strong imagery, and imaginative pull of this book. I couldn’t get any deeper into a character’s head if I tried! But I will write a full review when I am done.

I love this blurb about the publisher: “You could consider Europa Editions, the  sprightly new publishing venture [Kent Carroll] has just started in New York, as a kind of book club for Americans who thirst after exciting foreign fiction.”—LA Weekly

I picked up a poster at Europa’s booth at BEA three years ago that I have framed and hung in a place of honor in my office: “I read, therefore I am.” We dedicated readers live and breathe through our books and Europa Editions has filled a necessary gap in the American publishing field–a simple and direct focus on great literature from all over the world. Peruse the publisher’s website at